GULF-COAST BEACH
AT MONTEPIO
November 23, 1996

Notes from a birding trip through Mexico by Jim Conrad

Monte Pio, VeracruzOn my third morning beside the lake I hop into the back of another pickup-truck taxi, ride back into town and buy provisions. In the marketplace an old woman from whom I'm buying three tamales asks me to go with her to a place where others can't hear. Nervously combing her hair she tells me she recognizes me as a brujo, a "witchdoctor." But I'm a good one, she says, one who's "clean inside." She wants me to go with her to meet another brujo.

I don't know what this is all about, don't like the feeling of it, and tell her I'm not interested. I fill my backpack with food and water, hike to the edge of town, and climb into the back of another pickup truck heading for the seaside settlement of Montepio.

After 15 or 20 kilometers the rough gravel road  ends at a small but handsome church with the blue Gulf of Mexico as its backdrop. In mid afternoon the heat is staggering so I walk directly onto the sandy beach where a light breeze stirs and foot-tall waves curl and collapse at the water's edge.

To the right the beach soon ends at a nearly vertical, black, basalt-rock cliff partly overgrown with cacti, aroids, and other big-leafed tropical plants. To the left the beach is bisected by a stream maybe forty feet across. My first impulse is that there's no place here for a tent, that I'll have to walk through the heat and glaring sunlight inland and find a campsite in an abandoned plantation or among the weeds -- not a pleasant thought.

But then on the left a boy on a horse approaches a certain spot at the river's edge, the horse plunges in, and walks across, the horse's belly getting only slightly wet. I go there and cross, too, though the current is strong and I must raise the backpack with my arms to keep it from getting wet.

Across the river and around the bend I can see that the beach continues to the north until an upland juts into the sea seven or so kilometers to the northwest. Just inland from the sand something like a high levee, some kind of sand dune, rises up like a wall paralleling the beach.

Two or three kilometers northwest of Montepio along the beach I feel alone, just me, the sea, the sand, and the dune-levee. In one place at the base of the levee there's a dense thicket of small trees so I work into their shadows and peg the tent there. From the sun-bathed beach it looks so dark among the trees that the tent simply can't be seen, but from the tent I can see everything on the beach. It's about as good as you get in terms of security-minded beach-camping.


PLOVER MEDITATION

I love beachwalking, especially with binoculars so I can identify the birds. Nearly any sandy beach has its little or big clusters of small or large birds most of the day working along the water's edge. Inland birds typically are very active just after dawn and then again a bit less active just before dusk, but during most of the day they are relatively quiet. Beach birds are always doing something worth looking at, from dawn to dusk. Also, always there's the knowledge that this very water beside you connects directly to the farthermost points of the Earth, so always there's a chance of meeting something completely unexpected, possibly a real treasure. This kind of beach-discovering is a meditation for me.

On my first beach walk I spot a medium-size, moderately long-legged bird with a slender but relatively short beak, probably some kind of plover. However its plumage is splotchy and unlike anything illustrated in my field guides.

This little mystery is exactly the kind of bird-puzzle that pleases me. From a distance with my binoculars I absorb as much as I can of its size, shape, color and behavior, then thumb through the field guide seeing what the possibilities are for this part of Mexico during this time of year, and there are several. I suspect it's a Black-bellied Plover with a plumage changing from its striking summer costume to its duller winter one. However, this bird isn't showing the fieldmarks needed for a solid identification.

Once my mind is clear on which identities are possible, and which fieldmarks characterize each species, with my binoculars raised ready to be looked through in an instant, I purposefully walk toward the mystery bird. It flies up, the binoculars are in place, and I see very clearly a white rump and black patches beneath the wing. It is indeed the Black-bellied Plover, a bird I seldom see.

One reason I seldom see it is that it nests only in the arctic tundra, and winters only along the coasts, and I just miss it during migrations.

I'd like to see this bird in its full summer plumage. Most multi-hued birds are dark above and pale below -- a scheme known as countershading. Countershading helps camouflage a bird. During the summer, Black-bellied Plovers are black below and much paler above -- examples of "reverse countershading," which makes them more visible. Black-bellied Plovers and Bobolinks are among the best examples of reverse countershading, and I just wonder what adaptive pressure encouraged these species to evolve in a direction opposite to most other birds.


SEVEN VULTURES AND AN EEL

Right in front of my tent, just this side of the breaking waves, there's a dead eel or eel-like fish.  A Black Vulture comes winging down beach, spots the feast, and lands. The bird tugs at the fish's head causing the dead animal's silvery tail to flip as if it's alive. This obviously surprises the vulture, who jumps straight up like a cartoon character.

Before the bird's nerves can be calmed a second vulture drops from the sky and tries to join in the eating. However, the first vulture seems in no mood for sharing, for it makes a tentative lunge at its visitor, and that's enough to keep the meal to itself. The visitor continues to lounge five feet away looking hungry.

A third Black Vulture arrives, but it also meets resistance, and ends up lolling on the sand with the second bird.

But then a fourth Black Vulture lands, and instantly I see that the first bird loses its confidence. Obviously Number Four is higher ranked, for after half a second of half-hearted pecking, Number One moves away, leaving the eel to its new owner. Now Number One joins Numbers Two and Three standing on the sand.

Then Numbers Five and Six arrive, but Number Four holds its own, and they join One, Two, and Three, watching Four eat.

Five minutes pass and then Number Seven arrives and without hesitation attacks Number Four. Seven and Four must be mortal enemies, for it's not enough for Seven to chase Four from its prize; Seven's attack is so brisk that Four begins hopping down the beach, flapping frantically, struggling to get into the sky, and Seven goes hopping and flapping after him. They manage to lift off at about the same time and in the sky their chase continues, leaving a new squabble among the five vultures left behind.

Now all the birds divide their pecks among their neighbors and the eel. The eel gets covered with sand and almost lost in the confusion. But then one of the two vultures who just left returns, presumably Number Seven, and order is restored when all the other birds give way and resume standing awkwardly on the sand.

Finally all the onlookers give up and fly away, leaving only one onlooker and the eater.  A few pecks are exchanged in what must represent an hierarchical challenge but the challenger doesn't have the mettle to dislodge the eater from its meal, and then it also flies away.

Now there's one vulture and one dead eel, and after a very great deal of commotion at last this one bird eats in peace.


SANDERLING/ CRAB MYSTERY

About two hours after the above vulture-and-eel drama, up the beach come seven Sanderlings. A wave withdraws and the Sanderlings chase it, stabbing into the sand with their slender, medium-length, black beaks, and then the next wave chases them back onto higher sand, sometimes causing one to flash a wing-flap or two to get out of the water's way. Then the Sanderlings chase the next wave out; this, again and again.

When the little flock reaches the exact spot where the vulture-and-eel drama took place, though by now waves have obliterated all traces I can see of the event, all seven Sanderlings begin walking about, probing the wet sand with their beaks. The probing is so intense and methodical that the bills remind me of sewing-machine needles stabbing in and out of fabric.

After the vulture-and-eel spot has been thoroughly roughed up by all the beak-probing, across the hot, dry sand upslope of the action comes a large, grayish-brown crab with conspicuously black, stalked eyes. The crab goes right into the center of the Sanderling flock and while it makes no effort to snap at the birds with its claw it does stop them from foraging. As the Sanderlings stand around looking at the big crab parked exactly where they want to be, along comes another small crab, and then a very small crab, and at this point the Sanderlings give up their efforts and begin drifting on up the beach, leaving the three crabs in possession of the spot where, to my eyes, all vestiges of food disappeared hours ago.


SUDDEN UNEXPECTED

Crested Caracara & Laughing GullThe hours pass with little sense of there ever being anything other than "now." An immature Laughing Gull drifts by just offshore and it hardly registers more than one's turning in bed during a sound sleep.

But then like a flash of lightning from over the dune-levee behind me a Crested Caracara bolts across the sky right above me and for an instant I see the moment exactly as I sketched at the right.

There is no kill, not even a certain touching of the two birds, and within seconds the caracara is back across the dune-levee and the gull is on down the beach.

I hadn't expected to see a caracara here, and, once I think about it, this is the first gull I've seen since I've been here. What an amazing, unforeseen moment!

And then, the rest of the day, it's more sweet monotony.


TWO FISHING STYLES

Brown Pelican, Pelecanus occidentalis

Brown Pelicans fish not far offshore and I've been noticing what a lot of work it is for them. They'll be sailing along five to ten feet above the water's surface, then in an instant they go into a dive and simply crash headfirst into the water. Surely such a splash severely jars the  bird's body. The  body remains atop the water with wings akimbo as if the whole frame were shattered. When the head and neck become visible often the neck is bent into what would seem a very uncomfortable position. Most dives don't seem to come up with any food. I never see the pouch rounded as in cartoons, but I do see loose skin below the long beak. Sometimes when a fish is swallowed the pouch balloons a little.

Magnificent Frigatebirds often dive from 20-30 feet up, but always at the last moment they perform a broad U, at the bottom of which their beaks briefly touch the water. I don't see any catches accomplished like this, but once in this manner a frigatebird does snatch a twig from the water, chew on it for about five seconds, and then drop it with body language that said to me that he was disgusted to have fished up a twig.


PLAYA HERMOSA

With the binoculars I see a cluster of buildings a few kilometers up the beach so I head there, hoping to buy some food and not have to cross the stream again between my tent and Montepio. After camouflaging the tent as best I can I head up the beach. At 10 AM its 85° F (29.4°C) and the sky is lovely with a few scattered white cumulus clouds over the Gulf.

Two hours of sauntering brings me to the community of Playa Hermosa, or "Beautiful Beach," a town of maybe a hundred folks but with no place selling anything to drink other than beer, soft drinks, and water that's surely polluted. Next to a little stream entering the Gulf perch three rustic restaurants, none of them doing any business during the day's middle. Basically they sell beer and crackers, but the cook in one says she's willing to provide a plate of beans with some tortillas from her own table, and if I can find anyone selling something else, she'll be glad to cook it for me. After a great deal of asking around I find someone able to sell me some eggs, onions and jalapeños, so now I can have a pretty good meal.

While waiting for the eggs to be fixed I watch a Little Blue Heron fish in the  three-inch-deep stream running next to the restaurant. The stream contains a lot of small, shiny fish, and the stream's bottom is made of rounded cobblestones that must be slippery for the heron to walk on. As the heron walks forward watching for fish, it spreads its wings and I can't decide whether this wing-spreading is intentional to scare fish into view or perhaps to blot out the sky's bright reflection on the water. It almost looks like the bird is conscious of accomplishing all three goals by holding out its wings -- balancing, scaring fish, and shielding the surface from the sky.

I pay special attention to this because not long ago in Madagascar I got to see a  fantastic performance of "canopy feeding" performed by the Black Heron. That bird would bring both wings forward above its head so that the forward edges met, forming an umbrella over the heron's head and neck, which completely removed the sky's reflection from the water's surface, enabling the bird to see into the water better.

The meal is wonderful, the heron fishing was fun to see, but I am low on water, and my visit to Playa Hermosa has not that solved problem at all. I consider buying beer or sodas, but suffering from hypoglycemia, a blood-sugar disease, that's not a good idea.


TWO GRACKLES AND A SNAIL

Here and there rocky areas cut across the sandy and extend to the water's edge. While visiting such a place I see two Great-tailed Grackles land on the sand near the rocks. Then one grackle flies into the rocks and for about five seconds hovers over a pool of water caught there and returns to the sand. The same maneuver is repeated about a dozen times, with the one grackle in the sand simply watching the other.

Finally the pool-visiting grackle does something different. It snatches a snail from the pool, carries it to a boulder and deposits it atop the rock, but the snail rolls off the rock and the grackle flies away, and the bird on the sand just watches the whole thing.

Then the pool-visiting grackle returns, takes another snail, lands atop the same rock, but this time holds the snail with a foot as it pounds the snail with its beak, and the sand-percher just watches.

And then the two birds fly off, leaving me with the very strong impression that a class has just been given on how to look for snails in rocky pools, and then smash the snails and eat them. To my eyes the student didn't show much promise, but I suspect that during the next class things may go a little better.


BIRDLIST #13

Here is this stop's Official List:

November 24: latitude 18º38'N, longitude 95º06'W

MEXICO: Veracruz; Gulf Coast beach at Montepio about 30 air-kms north of town of Catemaco; sandy beach, small bay and rocky outcrops

RESIDENCY STATUS:
permanent resident
winter resident
  1. Brown Pelican
  2. Magnificent Frigatebird
  3. Red-breasted Merganser
  4. Black Vulture
  5. Great Black Hawk
  6. Crested Caracara
  7. Snowy Egret
  8. Little blue Heron
  9. Black-necked Stilt
  10. Black-bellied Plover
  11. Semipalmated Plover
  12. Spotted Sandpiper
  13. Willet
  14. Sanderling
  15. Laughing Gull
  16. Inca Dove
  17. Belted Kingfisher
  18. Ringed Kingfisher
  19. Northern Rough-winged Swallow
  20. Great-tailed Grackle

Go to Stop 14
Return to Trip's Index Page

Links on this page were last checked on . If you find broken ones, please email me.